Why does Laura Mulvey turn to psychoanalysis as a way of theorizing the politics of representation in classic Hollywood cinema
(1) Why does Laura Mulvey turn to psychoanalysis as a way of theorizing the politics of representation in classic Hollywood cinema?
(2) How did you understand Mulvey’s subheading “Destruction of Pleasure is a Radical Weapon”?
(3) According to Mulvey, what kind of pleasures does cinema offer to spectators?
(4) Describe the different roles of female and male characters in the classical Hollywood cinema, according to Mulvey.
(5) What makes a “male gaze” in cinema, in Mulvey’s argument? What modes of identification are offered to film spectators?
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