How might you use this clip as an example to support Mulvey’s arguments
How might you use this clip as an example to support Mulvey’s arguments In “Visual Pleasure and Narrative Cinema” (1975), Laura Mulvey argues that classical Hollywood cinema (1930s-1960s) worked to encourage audiences to identify with an idealized male character (the “ego ideal”), particularly when he looks at a woman who “connotes to-be-looked-at-ness.” By encouraging us … Read more